Rebooting Kraftwerk’s Historic Residency at Disney Concert Hall
Looking like something out of the TRON movie in lit-up circuitry-embellished jumpsuits (which was fitting considering the concert took place at a Disney venue) Kraftwerk presented a unique concert experience last week: nine nights of music highlighting their prolific output, each evening focused on a different recording.
Timed to celebrate the 50th anniversary of their seminal album Autobahn –composed, produced, and recorded by founders Ralf Hütter and Florian Schneider in 1974– the series also presented seven more albums: Radio-Activity (1975), Trans Europe Express (1977), The Man-Machine (1978), Computer World (1981), Techno Pop (1986), The Mix (1991), and Tour de France (2003). We attended the 9th and closing show which covered all five decades of Kraftwerk’s repertoire, a retrospective hodge podge that illustrated the group’s evolution both visually and sonically.
You didn’t have to be a huge Kraftwerk fan to appreciate the immersive color-changing visuals and robotic flair of the show, but those sensitive to high volumes were probably not too pleased. More than a few people we know actually found the show too loud and left before it ended earlier in the week, some even asking for refunds. After all, this wasn’t a rave, it was Disney Hall, home of the L.A. Phil. Perhaps the high volume was intentional, though. We’ve seen non-orchestral shows at the Disney before (Sparks, for example), but never anything as imposing or thematic. The volume gave the show a visceral feel, and when it comes to spacey material like this, and performers who barely move a muscle on stage save for programming/pushing buttons, that’s a feat.
Kraftwerk have always been imposing of course, creating songs that serve as commentary on our world’s darkness and isolation, even as they emit groovy atmosphere and movement. Their textured rhythms might seem cold most of the time, but the repetition and rapturous melody has made for a techno blueprint that artists from other genres have clearly been inspired by the past few decades.
When founding member Florian Schneider died from cancer in 2020 at the age of 73, it was recognized as a big loss for music, even though he had left the band in 2008. It was Kraftwerk’s early work that was, of course, most ground-breaking. Schneider was planning to reunite with the band to celebrate its anniversary but COVID postponed the tour. The only remaining original member of the group, Ralf Hütter, made his presence felt, especially on vocals and lyrics last week, which were reflected and sometimes reinterpreted via the video imagery backdropping the group.
The visual elements were of course, essential to the show, and they put Kraftwerk’s work into a modern context that was heightened by the venue. Even when they were performing decades old material backed by familiar and somewhat rudimentary computer imagery, the Düsseldorf legends flair for innovation outshone everything, including the nostalgic nature of the celebration.
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